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WELKOME_TO_THE_FILMKLUB

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“IT DOESN’T MATTER IF UR BLACK OR WHITE OR TECHNICOLOR”

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whire
,,frootingasceneinDiary ofaCountry priestBressoninstructed .rnassistantto have a man without a hat walk through the
l ‘ , r tk g r o u n d o f t h e s c e n e .W h e n , a s h o r t t i m e l a t e r , t h e a s s i s t a n t IoldBressonthat thebareheadedman wasready,Bresson
,,rrlrrrtr,tr.\1,,” I rl.r.tltc AlexandrineexegetesBressonbelieves,
|1,, rrl,iIn,rtrr.rlrr’lrlrnisonlytherealrenderedmoreprct-isr,. | , ,l ll,,r’y.. r, r, lr,.r tt1r “r:’
and the raw materialtakenfrom reallife is tire r,l\’ rr.rtr rr.rlol llrc Transcendent.
llr r .,..,y11′,, rr:;r,efths every.l,ry is not derivecl frorn a
,”r, rrr,t,,r r,,.rllifr.,,,btrtfronr,rrr()[rl]().;ilionl<rllrr.rorrlr.ivctl,
rlr rrrrrtr, , , rrl,.rvltrrlr lor r,..rllrlr.lr lrtovit.,, 1r,rr,t, | 1rr.,.,,
I set
tlr.rtr,,.<ltsimply,realism.,,,1T5he “.rdtup
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DRESSON
63
By taking all fact asrealiry, eachfact with neither significanceor connotation, Bressoncreatesa surface of rearitv. The”surface,,isachieved,writes Ayfre,th..;h ,;;;;;il.
.

choiceof details, objects und uc.”rrories; throfih gestuie’s chargedwith an extremely solid reality.,ltr B.”rfonYr,,.”ulitv,, i, u
celebrationof the trivial: small ,o,rndr, a door .r”.il.r, chirping, a wheel turning, static views, ordinary r.”””ii,
faces-He usesevery
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U1″”t obiious documentarymethod: actual
,,rrrcctedhim sayingthathedidn,twantabareireaded
,rrrr,rnwithout a man, but hat.raBressondefinesreality by what Aristotle
, ,rllt’d”privation,,, by the gualitiesthat an ol;”.t, tu.k, y”t hu, l , . t t ‘ n t i a l f o r . W a t e r , f o r e x a m p l e ,i s d e f i n e d a s p o t e n t i a l s t e a m . I n llrr,’,r;.n’sfilms the bareheadeiman is potentially a man with a lr,rt,,rndtheeverydayispotentiallystasis.A reaiitydefinedbf
;’rtv’rtirnisasdesolateandwithoutsignificanceaeonedef

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